Just behind the Lydiard house in Swindon, you will find the small parish church of St. Mary's, Lydiard Tregoze, which dates back to the 12th century. In the 1840s a model of the church was commissioned perfectly depicting the architecture, interior and grounds.
In the 1970s a large amount of restoration was carried out on the model, predominately on the graveyard area, removing a lot of original details.
Having been in storage for a long time, the model came to the Conservation and Museums Advisory Service (CMAS) to have conservation treatment undertaken before going back on display. Large cracks had appeared in the base of the model and some of the 1970s additions had deteriorated badly. Some of the architectural details were also missing with a general layer of dust on the surface.
The main challenges carrying out treatment on this object were:
Mix of different materials used: This included the plaster base, wood structure of the building, painted interior features and paper and card railings and details.
Ethical considerations: The client was keen to remove the 1970s trees that had badly deteriorated in the graveyard area and replace missing wood features on the building. Generally in conservation, we try to preserve as much historical information on an object as we can. We justified the removal of the trees as these were not original to the 1840s model and were so badly deteriorated they were unsalvageable. The addition of the wooden components was to improve the aesthetic appearance of the model and detailed records will help distinguish between what is old and new.
Condition: The model was very delicate so extreme patience and dexterity would be needed.
The Conservation and Museums Advisory Service (CMAS) is based at the Wiltshire and Swindon History Centre in Chippenham. We preserve the Wiltshire and Swindon Archives and provide support to museums, heritage organisations and individuals to care for and conserve historic collections and meet professional standards.
According to the UK’s professional conservation body the Institute of Conservation:
‘The purpose of all conservation is to facilitate the public’s access to and enjoyment of our cultural heritage. It helps us understand ourselves and our future by preserving our past.’
So, when a marching band drum from Radstock Museum recently came into the object conservation studio at CMAS, we had to think about how to preserve the history of the object in the best way.
The drum was from the Radstock Jubilee and much of the original paint had cracked and lifted from the surface. There were already large areas of loss, but the main text on the drum remained. It was not the intention for the drum to be used again, instead the Museum planned to place it on display. In discuss with the Museum it was decided that it would be most ethically appropriate to preserve the remaining paint to show the history and use of the object.