Museum and archive collections are, in their very nature, eclectic. They often have roots in one person’s fascination with the past and they develop and grow much like a tree putting out roots. They are often dependent on donations, and collecting policies within museums are developed to provide some structure to this form of collecting, making sure that very valuable storage space is used to advantage and the best are represented. It is not that often that choices can be made by museum and archive staff about what to purchase, what gaps to fill and who to represent.
The Heritage Lottery Funded Creative Wiltshire project has aimed to facilitate just that. With a carefully prepared bid back in 2014 we were successful in achieving funding to add to some of our Wiltshire collections and with careful consideration we have purchased items that aim to fill gaps, often representing a new creator with a strong Wiltshire connection. We are now reaching the end of this project and our final exhibition at Salisbury Museum will show off some of our recent purchases.
This project is not just about the purchases, it is also about offering training and development to volunteers and staff associated with museums within the county, as well as education workshops, a tool kit for teachers and other events in the wider community. The exhibition at Salisbury Museum has provided a perfect opportunity to put an ‘Exhibitions Assistant Trainee’ in place, to plan, oversee and install the final exhibition with the support of the Salisbury Museum Director, Adrian Green and his team. Thank you to Emily Smith, our successful applicant, who has been able to gain great ‘hands on’ experience of all aspects of exhibition work within a museum context. We gave her a tough brief; expecting planning, curation, exhibition design, mounting of work, co-ordinating staff, borrowing and transferring of objects required from around the county and she has had a busy four months putting this in place. We thank you for your enthusiasm and we are thrilled with the results. The exhibition at Salisbury Museum has now been extended to 29th September 2019; why not pop in and see what you think? You will find work by Rex and Laurence Whistler, Howard Phipps, Nancy Nicholson, Nick Andrew, Jonathan Wylder and Wilfred Gabriel de Glehn, amongst others.
During the course of the project other exhibitions have been held at Swindon Museum and Art Gallery and Chippenham Museum and both have focused on recent acquisitions to their collections. Sophie Cummings of Swindon Museum and Art Gallery says the project has exceeded her expectations and allowed them to purchase pieces by Ken White, previously un-represented in their collection, as well as fine art by Joe Tilson, Harold Dearden, David Bent and Janet Boulton and ceramics by Katherine Pleydell-Bouverie, Patricia Volk and Sasha Wardell.
The current exhibitions at Swindon Museum and Art Gallery are well worth a visit.
An Art of the People – Ramsbury & Cricklade Potteries features work by Ivan and Kay Martin of Cricklade, and Peter Holdsworth of Ramsbury.
Out of the Box: An exhibition of paintings by David Bent
An exhibition of work by David Bent which includes geometric landscapes, intricate photographic collages and paintings as well as his aviation art and “Movement 2000” series. Stunning and inspiring work by this Swindon based artist.
One hundred years ago people and politicians around the globe were contemplating a new world order following more than four years of war. In Britain, January 1919 and the following months were marked by strikes, civil unrest and military mutinies. The flu pandemic continued its deathly march. The month also saw the beginning of the Paris Peace Conference which lasted into the summer concluding with five treaties formally ending the war – including the Versailles Treaty signed 28 June – and the formation of the League of Nations.
As a nation we have spent the last four years commemorating the centenary of the First World War (FWW). A hundred years on from this cataclysmic event and we are living with its legacy – with regional conflicts that have their origins in the war; with advances in medicine (reconstructive surgery, improved anaesthesia); with the music, art, literature and poetry produced during and after the war; with universal suffrage; and with a landscape shaped by war.
But what of the legacy of these commemorations? What will future generations find when they delve into early 21st century archives and history books, looking for evidence of how we remembered? Without doubt they will find an amazing amount of new, high quality research that has changed our understanding of the Great War. But have the commemorations reflected this changed narrative or have they reinforced the myths and iconography associated with First World War and which are embedded in our collective memory? Some historians are asking whether the last four years have been a lost opportunity.
From a personal point of view it feels as though much of the national commemoration did focus on traditional themes and symbols such as the mud and blood of the western front, the experience of the war poets, the silhouetted soldier. There have been some stunning artistic responses to the centenary, commissioned by 14-18 Now, including Blood Swept Lands and Seas of Red, Jeremy Deller’s We’re Here Because We’re Here, Danny Boyle’s Pages in the Sea and film-maker Peter Jackson’s They Shall Not Grow Old.
But these have also drawn criticism. 14-18 Now estimates that 35 million people engaged with their commissioned events, but historians Professors Maggie Andrews, of the University of Worcester, and Sarah Lloyd, of the University of Hertfordshire, question whether people critically engaged or merely encountered them. Were these national events, exhibitions and installations sufficiently challenging of historical myths?
There has been much work on myth-busting over the past four years but it can be tough going up against advertising executives and picture editors who are not historians. An enduring myth, reinforced by TV adverts and wrongly credited photographs, is that the Christmas Truce of 1914 happened throughout the western front and that football matches were organised between German and British troops. Neither is an accurate picture of what happened. (Check out Dan Snow’s mythbusting articles for the BBC.)
At a regional and local level, however, I feel very positive about the projects and events that have taken place. Over the last four years much of my work as an education officer has focused on researching Wiltshire’s role in the First World War and passing on that learning to others, especially primary school teachers and pupils keen to make the most of the local history study that is part of their curriculum.
Another aspect of my work has been supporting other organisations in delivering the educational side of their FWW projects. My colleagues in archives and local studies have also been busy acquiring new collections and publications that support the study of the Great War.
The number and range of FWW projects in Wiltshire has been impressive and sadly I cannot list all of them, but a good place to start is the History Centre’s own Wiltshire at War – Community Stories project.
World Heritage is the shared wealth of humankind. Protecting and preserving this valuable asset demands the collective efforts of the international community. This special day offers an opportunity to raise the public's awareness about the diversity of cultural heritage and the efforts that are required to protect and conserve it, as well as draw attention to its vulnerability.
Endorsed by United Nations Educational, Scientific and Cultural Organisation UNESCO the day is an opportunity to raise the profile of World Heritage Sites across the globe and to recognise and explore their unique and special features. Many of you will know the most famous Sites such as the Great Wall of China, the Egyptian Pyramids and the Amazon Rainforest in Brazil but did you know that we have 31 World Heritage Site in the United Kingdom and that the most recent of these is the Lake District which was added to the List last year?
Here in Wiltshire we are incredibly fortunate to have the Stonehenge, Avebury and Associated Sites World Heritage Site – to use its proper title. The globally iconic stone circles are instantly recognisable but do you know about all the other monuments and sites which form part of this 50 square kilometre landscape which makes up our World Heritage Site? The partners that look after all things World Heritage are planning to make sure that this year Wiltshire marks World Heritage Day with an array of fun activities and events all across Wiltshire to help you find out more about our World Heritage and how to get involved.
At Avebury you can join the National Trust for a guided walk and find out why this World Heritage Site is globally important as you explore the landscape visiting the Bronze Age 'hedgehog' barrows and stroll down to Neolithic West Kennet Avenue. You'll discover some of the most exciting parts of the prehistoric landscape at Avebury.
Or join the Human Henge group for a more sensory experience of Avebury's ancient landscape. Human Henge is a ground-breaking project about archaeology, mental health and creativity that is interesting, adventurous, safe and fun. Walk, sing and learn in the company of archaeologists and musicians, connecting with others who have walked here before us.
At Stonehenge, English Heritage invite you to meet their friendly volunteering team. See them make and decorate prehistoric style pottery, fashion rope out of water reed, and make cheese and bread over the open fire in the Neolithic Houses. Learn about the plants foraged from the Stonehenge landscape and chat to the volunteers as they repair the chalk daub walls of the houses. There will be a chance to sign up and join this amazing team and learn some essential Neolithic life skills! There are also free guided walks around the site, a trail for grown-ups, prize giveaways during the day, and a Stonehenge100 talk by Archaeologist Phil Harding in the evening.
Students like a word search, a little bit of light relief from the rigours of normal lessons, and teachers like them as a sneaky way to revise subject specific vocabulary. We decided on a word search with a difference to introduce secondary school students to archives and working with primary sources. It was part of a new schools’ session developed by Salisbury Cathedral in partnership with the Wiltshire & Swindon History Centre. While the History Centre is open to the public, and has extensive experience using its archives in educational settings, the Salisbury Cathedral archive has not been so accessible. This is changing thanks to the hard work of Cathedral archivist Emily Naish and her band of volunteers, and the willingness of the Dean and Chapter to open up this amazing resource. Members of the public have already enjoyed behind-the-scenes tours of the library, located above the cloisters, and now it is the turn of school children to work with documents from the archive and enjoy the benefits of this cultural education.
Archivist Emily joined forces with the Cathedral’s teaching & community officer Sally Stewart-Davis and the History Centre to develop the school session which we ran in the cathedral on 27 February.
The 13th century Papal Bull that gave permission for the building of a new cathedral on the water meadows by the River Avon, so moving the settlement of Old Sarum to New Sarum. Students from Stanchester Academy near Yeovil are shown the original cartulary, or register, which contains the 1219 Papal Bull from Pope Honorious III.
Emily chose a document in abbreviated Medieval Latin to introduce the difficulties that can arise when working with primary sources. Written in 1219, the document is an official copy of the Papal Bull from Pope Honorious III giving permission for the church authorities to build a new Salisbury Cathedral on the water meadows by the River Avon. As a starter activity we asked the students – aged 11-14 – to identify a list of words that they might find familiar, even though they were in Latin. Among the words they were looking for were Sarum, benedictionem, aquam, castellani and hominum (Salisbury, benediction, water, castle and men/people).
It was a challenge, but a challenge that was well met. The students realised that even when faced with a document in a foreign language, with abbreviations and in a difficult script, there was information they could extract.
While a Papal Bull in Medieval Latin does not immediately spring to mind as the most accessible archive for school children or adults, the youngsters from Bishop Wordsworth School in Salisbury and Stanchester Academy, near Yeovil, really engaged with the document and the activity. This was real and relevant – and they were working in the building that ultimately resulted from this Papal document.
The second document the students worked on was a 1599 letter from Elizabeth I to the dean and chapter at Salisbury Cathedral and relates to Sir Walter Raleigh’s request that he be given the estate of Sherborne Castle which had belonged to the Church. Although in English, the students still faced the challenge of deciphering the handwriting and getting to grips with Elizabethan grammar and spellings. This they did with amazing success.
This month we celebrated the end of a wonderful project that involved young people from across the county combining heritage and dance to learn about and commemorate the First World War.
The History Centre was proud to have been part of the Dancing Back to 1914 project which was funded by the Heritage Lottery Fund (HLF). The project saw youngsters from Tidworth, Salisbury and Bradford on Avon learn about the 1914-18 war through dance and engage with their local heritage. The groups visited the Wiltshire and Swindon History Centre and also made trips to local museums and to London to see the play Warhorse.
Another group of youngsters from Malmesbury School also took part in the project by visiting the History Centre where they looked at archive material showing what life was like for those who lived through the war, including children. The students also gained an insight into the work of the History Centre with a behind-the-scenes tour. You can read about their visit here: http://www.gazetteandherald.co.uk/news/13882591.Pupils_dance_back_in_time_to_WW1/
Each visit to the History Centre was tailored to the groups’ needs so they saw archives that were relevant to their geographical area.
The Tidworth group were fascinated by the maps which showed how quickly the military town had grown in the run up to 1914 and during the war.
All the students really engaged with the letters, sketch books and diaries that we were able to produce as these were very personal and recognisable – although youngsters today text and email they appreciated reading the letters and diaries that soldiers and nurses had written. Also popular were the photograph albums and sketch books.
Having learnt about the history of the First World War, including the types of dance and fashions of the day, each group created their own response to what they had discovered. The Salisbury group – which included students from St Joseph’s, St Edmund’s and South Wilts Grammar schools – performed at the city’s Christmas Market in Guildhall Square with a dance that was based on the letters they had read at the History Centre.
All those who took part came together for a grand finale at County Hall, Trowbridge on 3rd March. The event, formally opened by council leader Jane Scott, included tea and cake, with the audience mingling with the dancers.